FBL Financial Group, Collection Catalogue, Color Reproduction, 2003, West Des Moines, Iowa

The Des Moines Register, Reproduction of "Memory Described" Datebook, May 31, 2003, Des Moines, Iowa

St. Louis Post Dispatch, Jeff Daniel, Doug Freed, "Monumental Vistas, Arts & Entertainment, Sunday, January 7, 2001, St. Louis, Missouri

The Des Moines Register, Jim Duncan, "Landscape Art & Texture", City View, August 9, 2000, Des Moines, Iowa

Review, Mike Miller, "Three at Sherry Leedy", November, 2000, Vol. 3 No. 1, Kansas City, Missouri

The Wichita Eagle, Chris Shull, "Go See It", Douglass Freed, Reproduction of "Dusk" Sunday, July 23, 2000, Wichita, Kansas

Museum and Galleries, Guide for the Fine Arts, Douglass Freed at Soho Myriad, "Quicken" Color Reproduction Page 6, January-February 2000, Atlanta, Georgia

The News & Observer, Douglass Freed "Resonate", Color Reproduction, Page 24, Friday November 26, 1999, Raleigh, North Carolina

Tulsa World, Weekend Entertainment Guide, Douglass Freed, "Lull", Color Reproduction, Page 30, August 13, 1999, Tulsa, Oklahoma

Kansas City Star, Robin Trafton, "Sherry Leedy Salon offers tasty display of 18 artists' works", Friday, July 16, 1999. Preview page 29-30, Kansas City, Missouri

Open Studios Press, "New American Paintings", Vol. 22, Color Reproductions, 1999 Midwest, July, Artist Selected by James Roneau, Assistant Curator of Contemporary Art at the Art Institute of Chicago.

Forum, Rebecca Briley, Douglass Freed: Land/Sky/Water, Winter 1998, Vol. 22, No. 3, Kansas City.

St. Louis Dispatch, Jeff Daniel, "The Unexpected is Expected - New Ways of Looking at Landscape", on art, review, Sunday April 12, 1998

Kansas City Star, Elisabeth Kirsch, "Summer Show is an Eclectic Delight, Leedy Voulkos Exhibit Gives Artist Room to Shine" showtime, review Tuesday July 7, 1998

Undefining Painting, Detroit Artist Market, Museum Exhibition catalogue, Exhibition Coordinator Marialuisa Belmonte, essay by Jerry Saltz, copyright 1998

Detroit News, Rhonda Bate-Rudd, Local Exhibit Challenges Traditional Views on Art, review of Undefining Painting exhibition January 27, 1998

Detroit News, Joy Hakanson Colby, "A Diverse Artist Market Shows That Painting Lives", art review of Undefining Painting exhibition February 5, 1998

Detroit Metro Times, George Tysh, "Heavy Traffic", art review of Undefining Painting exhibition February 11, 1998

Detroit Free Press, Keri Guten Cohen, "2 Shows Challenge Viewers - and Art's Definition", Sunday February 22, 1998

Harold Sun, Blue Greenberg, Exhibit Brings Surreal Nostalgia, review of Steinway Gallery exhibiton, black and white reproduction of "Quieted", preview Friday February 6, 1998, Chapel Hill, North Carolina

Kansas City Star, Elizabeth Kirsch, "Douglass Freed uses a Soft-Focus", Art Review, Color Reproduction Page 1-8, Friday, October 24, 1997

Sedalia Democrat, Ron Jennings, "Local Artist Looks to Drop Almost Label", Color Reproductions, Page 1-2, Monday, September 1, 1997

Open Studios Press, "New American Paintings", Vol. 11, Color Reproductions, Pages 28-29, 117, Midwestern States, June 20, 1997. Artists selected by Beth Venn, Associate Curator of the permanent collection, Whitney Museum of American Art, New York City, New York

Sedalia Democrat, Ron Jennings, Home Turf, Freed's Work on Display at SFCC Goddard Gallary, Thursday, November 21, 1996

St. Louis Post Dispatch, Debra Riley Barr, "Recent Work by Richard Knight, David Burt and Douglass Freed, in Review" (Thursday, January 26, 1995)

University of Missouri Department of Art History, Jim White, Masters Thesis, "Douglass Freed", 1994

The New Art Examiner, Kristen Gladsky, "Douglass Freed", IL Page 54, October 1993, Chicago, IL

Kansas City Star, Peter Von Ziegesar, "Douglass Freed, Art Review, Arts PJG, (Sunday, February 7, 1993)

St. Louis Post Dispatch, Robert Dufy, At Elliot Smith, Art Review (September 20, 1992)

Museum of Art and Archaeology, University of Missouri Exhibition Catalogue. "Douglass Freed, recent paintings, 12 color reproductions", introduction by Morteza Sajadian, Director, Biographic essay by Christine Neal, Curator, Jim White, Historian/Critic, January 1992, Columbia, Missouri.

Columbia Daily Tribune, "An occasion For The Arts", Scene Magazine, IL, Page 12-13, September 30th, 1993, Columbia, Missouri

Twenty-fourth Annual Smoky Hill Art Exhibition Catalogue, Douglass Freed, Juror, Statement, Photo, Hays Art Council, Hays, Kansas

Columbia Daily Tribune, Olivia Mayer, Photos By David Pulliam, "Soho In Sedalia," Scene Magazine, IL Cover and Pages 12 - 13, Thursday, February 6, 1992, Columbia, Missouri

St. Louis Post-Dispatch, James Wierzbicki, "Eye-catching images not just gimmicks in, "Sanctuary", Dance review, page 4 Leisure, Sat. May 12, 1990

St. Louis Post-Dispatch, Alexandra Bellos, "Different Faces of Abstraction", Arts, Monday May 21, 1990.

The Sedalia Democrat, Larry Archer, "Art to play major role in production", front page, P4, color reproduction, vol. 121, No. 179, Monday December 4, 1989

The New York Art Review, "An Illustrated Survey of the City's Museums, Galleries and Leading Artists", by Les Krantz, Douglass Freed Review, Color - Black and White Reproduction, Pub. 1989, 3rd ed

Artspeak, Ed McCormack, "The Spiritual Formalism of Douglass Freed", Il. Volume X, Number 5, (November 1, 1988), p. 3, New York City, New York.

Vorpal Galleries Publications, "Douglass Freed, The Myan Series," Thirteen Color Reproductions, Artist Statement, Essay by John D. Moore, Statement by Eldon C. Leiter, October, 1988, New York, New York .

Chicago Art Review, "An Explorer Guide", by Les Krantz, Douglass Freed Review, Pub. 1988, 2nd ed.

The Sedalia Democrat, Dee Cain, "Local Artist Shows Wares in Big Apple, Sunday, February 21, 1988, Sedalia, Missouri.

Artspeak, Sean Simon, "A Higher Plane of Existence," Volume IX, No. 12, (February 16, 1988), New York, New York .

The Sedalia Democrat, Susanne Engelby, "Painting of Local Artist on Display in New York City," Thursday, February 11, 1988.

Vorpal Galleries Publications, "Douglass Freed", Seven Color Reproductions, Artist Statement, Essay by Vera Townsend, February, 1988, New York, New York ..

Art in America Annual Guide to Galleries, Museums, Artists, 1982 - 1991.

Chicago International Art Exhibition Catalogue, 1990, 87, 86, 85.

Watercolor U.S.A. 1986, The Monumental Image, Catalogue by William C. Landwehr, IL, Page 32, Copyright, 1986 Springfield Art Museum.

Forum Magazine, Garry Noland, "Douglass Freed Interview," IL, (October 1982), Kansas City Artist Coalition, Kansas City, Missouri.

Norman R. Eppink Art Gallery, Catalogue, 12th Annual National Invitational Drawing Exhibition, Emporia, KS.

Forum Magazine, Peter Von Ziegesar, "Minimal Art Today is a Matter of Choice, on Douglass Freed and Trends in Minimalism," IL, Volume II, Number 2, (March/April 1986), pp. 2-3, Kansas City, Missouri.

The Kansas City Star, Donald Hoffmann, "Douglass Freed," October 13, 1985, p. 6F, Kansas City, Missouri.

New Art Examiner, Nancy N. Rice, "Doug Freed," Volume 12, Number 6, March 1985, p. 64, Chicago, IL.

Columbia Daily Tribune, Jeff Truesdell, "State of the Art," IL, page 67, Sunday, February 17, 1985, Columbia, Missouri.

Artlogue, Jim Mann, "Douglass Freed Visual Artist," Volume 6, Number 3, Spring 1984, Saint Louis, Missouri.

Missouri Artist's Exhibition Catalogue, Patterson Sims, Missouri Council on the Arts, 1984, Saint Louis, Missouri.

The Emporia Gazette, Jerry Underwood, "Freed's Structural Paintings About Themselves," March 26, 1984, p. 2, Emporia, KS.

Manhattan Arts, Mark Bennan, "Douglass Freed at Vorpal," Volume I, Number 8, (December 1-15, 1983), p. 3, New York, New York .

Artspeak, Judith Smith, "Reconciling Concerns with a Collective Consciousness," IL, Volume V, No. 7, (December 1, 1983), New York,New York .

The Kansas City Star, Donald Hoffmann, "Doug Freed," (Sunday, November 13, 1983), p. 11F, Kansas City, MO.

Kansas City Business Journal, T. Michael Stephans, "Former Kansas City Artist Thrives in New York," Volume 1, No. 6, (November 1-7, 1982), p. 16, Kansas City,Missouri.

Artspeak, Claude Lesuer, "Expanding the Traditions in Art Today," IL, (October 28, 1982), New York, New York .

Arts Weekly, "Oil Paintings by Douglass Freed," IL, (October 27, 1982), p. 15, New York, New York .

Arts Magazine, Andrew Kagan, Cont. Ed., "Douglass Freed in First Maturity: The Synthesis of Classical Structure and Dynamic Field," IL, Volume 57, No. 1, (September 1982), pp. 112-115 (ad., 48), New York, New York .

New York Art Review, Les Krantz, IL, page 101, 1982.

Muse, Vera Townsend, Chairman of Department of Art History University of Missouri, Columbia, "UT Poesis Pictura," Cover, IL, Volume No. 14, 1980, pp. 31-35, Columbia, Missouri.

Visions 81, "Ten Mid-American Artists, Catalogue," Martin Friedman and Michael Bailey, Plus "Artist's Statements, 1980," Mid America Arts Alliance, Kansas City, Missouri.

The Kansas City Star, Daniel Grant, editor of Art Workers News, "Can Artists Serious About Their Work Thrive Outside Haloed New York?," January 4, 1981, "United Press International/New York Times" Published in Many Major Papers in USA.

Art Workers News, Daniel Grant, "Must Artists Show in New York?," (November 1980), IL, pp. 1-3, New York, New York.

The Kansas City Star, Donald Hoffman, "Douglass Freed," review, September 21, 1980, 10D, Kansas City, Missouri.

Arts Magazine, Vera B. Townsend, Douglass Freed," IL, Volume 54, No. 8, (April 1980), p. 20, (ad., pg. 69), New York, New York.

Art News Magazine, Victoria Kirsch Melcher, "Sunspots and Night Ladders," Volume 78, No. 9, (November 1979), p. 166, New York, New York.